Lions of the Church

1

Antar Harami’s kingdom stretches from the iron bridge to the gristmills in the east, and from the El Gaz drainage canal southward all the way to the police checkpoint at the International Hospital.

His power and protection extend over all living things in his domain—most especially the dogs. His reputation spreads beyond the borders of his kingdom; his deeds echo throughout the Nile Delta. The epic story of his seizure of the throne is depicted in the graffiti murals that adorn the wall outside the Mother of Believers Secondary School for Girls. For this, he had called on the greatest calligraphers and mural artists of Alexandria—the likes of Gamal al-Dawli and the Queen of Azarita—and tasked them with crafting the narrative of his trials and tribulations; his bitter defeat; and, finally, his sweet, sweet victory. These events were rendered in the visual splendor of nineteen illustrated panels stretching along the wall of the school. It all began when the new state security officer in town, acting on a tip from a local butcher, called Antar in for questioning.

Antar declined the invitation. “I go to no one. He who wants me shall seek me out,” he said to the policeman.

The security officer responded with a police wagon carrying four troopers and three police officers. They arrived at his house, which was built from mud brick and palm trunks. His mother told them he had been out since morning. She was a feisty old woman; she and her son had nothing but hatred and animosity for each other. Perhaps she wanted to get rid of him or just teach him a lesson. Whatever her intention, she tipped them off: “You’ll find him over at Hosh Issa, hanging out with those thugs and hooligans, drinking spirits and sniffing glue.”

Alerted by the siren, the whole gang had fled before the police got there. Except for Antar. He stood there puffing his chest, surrounded by eleven dogs. The second the troopers stepped out of the wagon, the dogs started toward them, growling. One of the troopers grabbed a rock and hurled it at one of the dogs, hitting it in the face. And so the battle began. The dogs pounced on the troopers. Antar’s boozed-up pals looked on from afar as a truly supernatural scene, full of wondrous beasts and strange happenings, unfolded before them. They saw the dogs open the car door and pull out the driver from behind the wheel. It was as if they were following orders, as if every strike was calculated: “Wound, but don’t kill.” The beasts lunged at the troopers and sunk their teeth into their legs, effectively crippling them.

The scene concluded with the policemen covered in blood, encircled by the dogs. Then Antar came up to the head officer and spat in his face. He walked off, followed by all eleven dogs.

Afterward, Antar disappeared. There were all sorts of rumors. The state security officer asked Hajj Ibrahim al-Wali—one of the top roughnecks—to hand Antar over the minute he appeared. Two days later, Hajj Ibrahim al-Wali was himself arrested. It was said that police had discovered large quantities of weed and boxes full of Tramadol, Pancenol, and Paramol. As he was getting arrested, everyone saw Antar standing at the end of the street with two black dogs, laughing and snorting and spitting.

When Antar was accused of betrayal, he responded that it was Hajj Ibrahim who was the real traitor, since he had wanted to take him by the neck and throw him to state security. All Antar had done was have the Hajj for lunch before the Hajj could have him for dinner.

Then it happened that Hind bint Omeira divorced Hajj Ibrahim and married Antar. Those were not happy days, but rather times of conflict, strife, and ruin. The graffiti murals tell most of the story, including the Battle of the Vegetable Market, when Antar forced the tomato sellers to adopt a fixed price. When they pulled out their knives, he set his dogs on them. There was also the Skirmish of the Red Nightgown, when Adel Shakl came by the kingdom to settle a debt with Momo Sameh. Seeing this as an intrusion on his domain and a threat to his authority, Antar pounced on Adel and his men and delivered them a sound thrashing. He slashed Adel in the chest and the ass and cut him a new face. Then he ordered a red nightgown be made for Adel and dragged him through the streets all the way to the edge of his kingdom. The magnificent scene was painted by the artist Queen of Azarita, who portrayed Adel wearing a red nightgown and a black leather mask, which had a gold chain attached to it, pulled along by Antar. The latter was depicted in a white wifebeater splattered with the blood of the battle. He walked proud and tall, surrounded by dogs without collars. Underneath the scene, the calligrapher Gamal al-Dawli had written, in elegant Kufic script, When Khufu is away, the mice will play!

——- Read the full story at: https://www.thecommononline.org/lions-of-the-church/

Godshow.com

1.

Las Vegas was brimming with mosques. As soon as I’d typed “mosque near me” into the Google Maps search, myriad red dots displayed themselves all at once on my screen.

The Al-Hamada mosque, one of the first Las Vegas mosques founded in the Seventies, and winner of a five-star rating, boasted a review claiming that its writer had “felt at peace” as soon as he’d crossed over the threshold. Another described how its congregation had helped “during the family’s short stay in Las Vegas” and that “God is Great.” A perusal of the mosque’s online images seemed to indicate that the building itself occupied a tight space, with no dome or minaret. Most of its visitors appeared to be dark-skinned, which meant the congregation were most likely followers of the Nation of Islam.

I scratched it off my list.

I had no plans to attend an American Salafi mosque. I hadn’t left the shortened robes, the miswak, the scent of musk and the bushy beards in Egypt, only to come here for much of the same. At times, I’d come across them in West Las Vegas as they approached cars stopped at the traffic light, hawking their literature for $10 my brother. One of them honed in on me while I was in my car. Cornered, I lied that I had no cash. No problem, brother, he replied, undeterred as he presented me with a card reader attached to his mobile phone. After I’d paid, I browsed the magazine and found that it mostly contained news of the leaders of the brotherhood.

I quickly moved on to click the link to the second mosque on the list. There, on their website (in the third line to be exact), was a message explicitly indicating that they were open to all races, nationalities, and sects. The recurrent usage of words like “race” and “color” seemed to imply that they did not belong to the Nation of Islam. It appeared that they belonged to the Las Vegas Islamic Center, which was founded in the Eighties.

A further online search came up with the Al Omariya, a mosque as well as an Islamic school. The images portrayed girls as young as ten in their hijab. This website was loaded with proselytization on sound education, proper morals, and the preservation of the nascent Muslim youth. Off the list it came. All I had wanted was to visit a mosque, not send my children to an Islamic brainwashing laundromat. Yet another mosque’s website displayed a picture with a caption titled Bless you, Oh Hussain! declaring its Shiite affiliation. Al-Hikma, on the other hand, had received comments regarding the quality of the food.

Just then, as the waitress came round to clear my now empty beer bottle and to ask if I wanted a second one, Jose Al—– appeared. I stood up to shake his hand and he hugged me and took a seat across from me. He asked me the usual questions about work and family and I answered, albeit distracted, and then proceeded to mechanically ask him much of the same. Once I had a new frothy beer at the table in front of me, I duly announced my plans to visit a mosque.

— Don’t you have a mosque you go to already? he asked.

— No, I replied.

With seven years between us, Jose was still in his twenties. Sleepy-eyed and huge, his large, impressive, and tightly wound muscular bulk was covered in tattoos. He was a bartender at the same hotel where I worked as a purchasing director, in charge of quality control and food storage. But that was before we were both laid off. We met by chance at a work gathering that brought together employees from the various departments to listen to the “motivational” spiel of their managers. In that first encounter, he brought up poetry, and I let on that I not only read it but wrote some myself. Immediately, he extended his hand for me to shake and introduced himself as a poet. And so, we became friends. But we didn’t really talk much about poetry, as his interest and expertise centered mainly on American poetry and a little Mexican, while I read exclusively in Arabic. I confess that I hadn’t read a single poem in English before I’d met him. As one who claimed to write for immigrants like himself, his English poetry was duly peppered with Spanish. Southern poetry. It’s all about fiery, passionate words my friend. Do you get what I’m saying? he’d ask.

When COVID-19 struck, Jose was among the first batch to be laid off. For a while, he scraped by on unemployment benefits and food delivery gigs in his old Kia, until he managed to find work at a large warehouse that imported cheap goods and auto parts from China that were resold in the U.S.

I fail to recall now how Jose met Phil, whom he brought to our second meeting. Since then, he’s become the third in our triumvirate that communes weekly for beer drinking. I remember, back then, how he’d plunked his solemn, imposing self down, asked for his beer and once it had arrived, remained silent the entire time, listening as I explained to Jose the difference between Friday prayers and Sunday church service.

I confessed to Jose that I hadn’t once been to Friday prayers since I’d arrived in the United States. At that, he reached into his pocket and retrieved a black hair tie, gathered his hair between his fingers, and launched into an extensive monologue about the importance of going to the mosque and to Friday service. Even if I wasn’t particularly religious, it was the best way for me to get to know my community, especially since an immigrant could, at any given day, find himself in need of help or support. Generally speaking, he extrapolated, religious people, regardless of their faith, were always eager to help, believing this would bring them closer to God.

I conceded that I hadn’t considered any of this. All I’d been searching for was a clean mosque that I could attend for the afternoon prayers where the ceiling fan dials would be turned to the fastest speed. Preferably, an empty mosque with very few — one or maybe even two — worshipers, reading the Qur’an in a barely audible voice. I wanted to reclaim the time when, as a child, I’d visit the mosque to lay down on its carpeted floor, close my eyes, and let all my worries and troubles spirit themselves away.

Phil piped in that he understood me completely, and that although he himself was an atheist, he could still understand how places of worship could be repositories of energy, able to evoke and withhold soothing communal memories for their congregants. It was a cave in the Valley of Fire State Park that did it for Phil — a place where early inhabitants of the valley had worshiped and prayed. On every visit, without fail, he felt the energy coursing through the place, despite the centuries that had passed.

Phil was five years older than me. I’ve never understood exactly what he does. All I knew was that he was born in Las Vegas, had a big family, and owned a house and a car. Phil, who worked in the deserts of Vegas and Arizona, looked upon his work — shooting documentaries for PBS — as something closer to a hobby in which he went on long expeditions exploring nature, delving into the history of the deserts’ inhabitants, and unearthing extinct civilizations. His theory was that life in the Vegas Valley went through expansive cycles every four or five centuries, during which the valley would flourish, attracting people to settle down and build. Two to four centuries later, depending on the extent of that civilization’s depletion of nature, another drought would strike the valley, forcing its residents to abandon their parched lands, leaving the dust from the heels of their forced exodus to wipe away the urbanization they left behind.

— I don’t get where the problem is, said Phil, interrupting my thoughts. Aren’t there any mosques in Vegas?

I unlocked my phone and showed him my screen displaying the last mosque I’d been researching on my browser.

 On the contrary, I said. I’m spoilt for choice at the number of mosques here. But, I’m at a loss over which one to choose.

—–Read the whole story at: https://themarkaz.org/ahmed-naji-godshow-com/

Normal- (Short Story/ Translated be Mona Karem

One time as I was heading back to Sixth of October city, a prostitute showed up on the way dressed in the official uniform, a black cloak without a headscarf, and instead she had bangs and black hair falling over her shoulders. She was carrying a huge neon bag.

Just to be sure, I drove past her slowly and watched her in the mirror as she looked my way. I stopped and went back. I turned off the music and rolled down my window. With the innocence and politeness of a child, I said: “Are you going somewhere madam? Would you like a ride?”

She got in, she was heading to Neighborhood 12, which is far out of my way, it is where I lived for years during college. I felt a longing to visit the good old scenes of my youth. I asked her: “Where in neighborhood 12?” She responded while reaching for something in her bag: “by the green kiosk.”

My glance fell on her big breasts, showing through the cleavage. I redirected my eyes back on the road to avoid the sudden appearance of any speed bumps, either down there or up there. I felt something when the hoe pulled a knife on me and poked me in the stomach as she shouted: “Stop the car you son of a bitch!”

I looked at the knife, then to her and just like in the movies, I smiled, all confidence and kept on driving calmly: “What’s this for sugar?” and with her big knife she kept poking me in the waist, making her way through my thighs, stopping exactly between them, her sharp tip prodding my shrunken trembling dick.

painting by Adel El-Sawie

Ambulance – Short story/ Translated by: Mona Karem

She was sucking my dick when suddenly she stopped to ask if I had given grandmother her medicine. I looked at her then laying my head back, my waist forward, extending my dick into her mouth, I said: “Yeah, five drops in half a cup of water.” She smiled, sucking once again, then suddenly lifting her head up: “Shit! Five drops! I said three drops!”

She ran out, snatching the robe off the ground, I followed her, putting my boxers on. The granny went into a comma. I called the doctor, he said take her to the hospital immediately, giving me the hospital’s number. I called them and requested an ambulance, I lost my erection. I kept checking granny’s pulse, as it fades away. We ran around the small apartment, bumping into each other as we dressed.

She got in the ambulance with granny’s body, as I followed them in my car. I was preoccupied with the radiant lines of red that gleamed over the corpse of the white ambulance. When we got to the hospital, I went to the reception desk to deal with the papers. She stood next to me tying up her hair. Her tears dried. She got closer to me and whispered in my ear: “I’m still horny.” We did it in the hospital’s bathroom, as granny kept dying.

10425115_1437555073170855_2562890137321851586_n.jpg
Painting by: Homa Arkani

The Plant- Short story translated my Mona Kareem

The Plant

I will not come through the door or the window,

but as a plant you cannot notice with your naked eye.

I will grow day after day, to the sound of your singing and the rhythm of your breath at night. A small plant you will not notice at first, growing beneath your bed.

From door to bed, to bathroom to closet, standing or sitting against the mirror. Through all these acts, and to the sound of your humming, I will grow. A small green plant. With grand slim leaves sneaking out from beneath your bed.

I once read about plants that survive on light and prey on other creatures. With their glowing green leaves, they surround them and lure them in with a pleasing, lustful smell, then devour them. For hours and days and years, sucking on them. Sucking your toes one by one, making my way up.

What should I do with the bee? What should I tell the flower?

You become one with the flower. You grow up. You become a tree. While I remain a plant, in need of your humming, awaiting a song. A part of me is falling every morning, and I cannot catch it. A part of me flies off every time I lie in bed. But when I wake up I cannot remember what.

Sometimes I am reminded to look under the bed.  But I don’t find the green plant. Nor do I find you.

The plant (short story) translated by: Mona Karem

Hannah Weaver who has done some illustrations inspired by Mona’s translation of your story ‘The Plant’
 
IMG_1635
will not come through the door or the window,but as a plant you cannot notice with your naked eye.
I will grow day after day, to the sound of your singing and the rhythm of your breath at night. A small plant you will not notice at first, growing beneath your bed.
From door to bed, to bathroom to closet, standing or sitting against the mirror. Through all these acts, and to the sound of your humming, I will grow. A small green plant. With grand slim leaves sneaking out from beneath your bed.
I once read about plants that survive on light and prey on other creatures. With their glowing green leaves, they surround them and lure them in with a pleasing, lustful smell, then devour them. For hours and days and years, sucking on them. Sucking your toes one by one, making my way up.
What should I do with the bee? What should I tell the flower?
You become one with the flower. You grow up. You become a tree. While I remain a plant, in need of your humming, awaiting a song. A part of me is falling every morning, and I cannot catch it. A part of me flies off every time I lie in bed. But when I wake up I cannot remember what.
Sometimes I am reminded to look under the bed. But I don’t find the green plant. Nor do I find you.
IMG_1639
%d bloggers like this: